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PUBLIC MARKS with tags flag & motiondesign

2009

lost in a moment on Vimeo

by sbrothier
one take impromptu film made in Tokyo by Dennis Wheatley and Stefan McClean. We were sitting in this sushi bar pondering how best to set up a camera to film things all by itself whilst we were in Tokyo. Take our hands out of the equation... let the camera have its own journey. I'd taken a cannibalised record turntable with me from the UK with the idea of filming slow panoramas but it was painfully bumpy and stopped every minute. Then we had our eureka moment and filmed this. A few years later I was working on a piece of music and married the two together. The music is all about that feeling when you're half asleep in the sun.. the ambiance of foreign voices becomes a lullaby to dream away.

2006

An Eye For Annai

by sbrothier
Sheridan design students Jonathan Klassen and Dan Rodrigues present a lovely animated short entitled An Eye For Annai. "This film was done by me and Dan Rodrigues in our third year at Sheridan College's Classical Animation Program. Everything is hand drawn and animated. We coloured the animation digitally, and the backgrounds are a mix of traditional and digital. I played the recorder for the soundtrack, and the jazz music near the middle is from Louis Armstrong's "Jeepers Creepers". The whole film comes in at just under 5 minutes long, and we're pretty darn proud of it. Tell your friends."

2005

M5 | Coca-Cola est dans la place !

by sbrothier & 2 others (via)
M5 bottles & motion design coca cola pénètre la hype et c'est classe !

Titles Designed by Saul Bass

by Krome & 3 others (via)
Bass’ expertise in design exhibits a range (his corporate identities and posters are also durable graphic statements), yet his distinguishing aesthetic is one of economy and simplicity. It is in this regard that his work in credits design is of particular significance

Titles Designed by Saul Bass

by sbrothier & 3 others
Bass’ expertise in design exhibits a range (his corporate identities and posters are also durable graphic statements), yet his distinguishing aesthetic is one of economy and simplicity. It is in this regard that his work in credits design is of particular significance

2004

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